Monday, September 9, 2019

✫🎧✫ Audio Book Blog Tour | Rational Creatures: a Jane Austen-inspired anthology edited by Christina Boyd | Genre: Anthologies | @xtnaboyd | @TheVicRiley | @AnAudiobookworm ✫🎧✫

✫🎧✫ Welcome fellow bibliophiles to the next stop on this audio book blog tour & giveaway, organized by Audio Bookworm Productions, for Rational Creatures: a Jane Austen-inspired anthology written by various authors & edited by Christina Boyd! The tour will run from Sep. 6th-12th and will have unlimited stops. In addition to myself, there are other amazing bloggers hosting all kinds of super interesting exclusive content! Every blog has something different so follow the post to the bottom and click on the hyperlinks. Comments & shares are always appreciated; stop by and say hello if you feel so inclined. Happy reading! πŸ’œ

Audiobook Tour: Rational Creatures by Various Authors


Editor: Christina Boyd 
Narrator: Victoria Riley 
Length: 18 hours and 3 minutes 
Series: The Quill Collective, Book 3 
Publisher: The Quill Ink, LLC 
Released: Jul. 18, 2019 
Genre: Anthologies



“But I hate to hear you talking so, like a fine gentleman, and as if women were all fine ladies, instead of rational creatures. We none of us expect to be in smooth water all our days.” (Persuasion, Jane Austen) Jane Austen: True romantic or rational creature? Her novels transport us back to the Regency, a time when well-mannered gentlemen and finely-bred ladies fell in love as they danced at balls and rode in carriages. Yet her heroines, such as Elizabeth Bennet, Anne Elliot, and Elinor Dashwood, were no swooning, fainthearted damsels in distress. Austen’s novels are timeless classics because of their biting wit, honest social commentary - because she wrote of strong women who were ahead of their day. True to their principles and beliefs, they fought through hypocrisy and broke social boundaries to find their happily-ever-after. In the third romance anthology of The Quill Collective series, 16 celebrated Austenesque authors write the untold histories of Austen’s heroines, brave adventuresses, shy maidens, talkative spinsters, and naughty matrons. Peek around the curtain and discover what made Lady Susan so wicked, Mary Crawford so capricious, and Hettie Bates so in need of Emma Woodhouse’s pity. Rational Creatures is a collection of humorous, poignant, and engaging short stories set in Georgian England that complement and pay homage to Austen’s great works and great ladies who were, perhaps, the first feminists in an era that was not quite ready for feminism. “Make women rational creatures, and free citizens, and they will become good wives; - that is, if men do not neglect the duties of husbands and fathers.” (Mary Wollstonecraft) Stories by: Elizabeth Adams, Nicole Clarkston, Karen M Cox, J. Marie Croft, Amy D’Orazio, Jenetta James, Jessie Lewis, KaraLynne Mackrory, Lona Manning, Christina Morland, Beau North, Sophia Rose, Anngela Schroeder, Joana Starnes, Brooke West, and Caitlin Williams 






CHRISTINA BOYD wears many hats as she is an editor under her own banner, The Quill Ink, a contributor to Austenprose, and a commercial ceramicist. A life member of Jane Austen Society of North America, Christina lives in the wilds of the Pacific Northwest with her dear Mr. B, two busy teenagers, and a retriever named BiBi. Visiting Jane Austen’s England was made possible by actor Henry Cavill when she won the Omaze experience to meet him in the spring of 2017 on the London Eye. True story. You can Google it.


Victoria Riley is a British voiceover artist and audiobook narrator. Originally trained as a theatre actor, she gradually moved into voice work and is now happiest behind the mic. She loves classic literature and travelling the world. If she isn't recording, she's probably lying in a hammock in some far-flung place, reading book after book after book.


Narrator Interview Q's

1.When did you know you wanted to be an audiobook narrator? 
Well, I've always said that I'd be happy to just sit in a cupboard all day reading books.  I didn't know that I could actually do that and get paid for it. Dreams do come true, folks.
2.  How did you wind up narrating audiobooks? Was it always your goal or was it something you stumbled into by chance?
I'm actually a classically trained actress and was originally interested in theatre.  When I started out, audiobooks weren't really a big thing and it didn't occur to me as a career.  I gradually veered into voiceover and my first audiobook was through my VO agent. I then set up my own studio at home and audiobooks are just one of the things I work on.
3.  A lot of narrators seem to have a background in theatre. Is that something you think is essential to a successful narration career? 
I wouldn't say it's essential, but it really, really helps.  We've been trained to analyse scripts and characters, to convey nuance and emotion.  With audiobooks, you have to do it all with your voice, though, so it is an added skill.  However, I do think that some people are natural storytellers. My Mum worked as a primary school teacher and I still remember the way she read books to me before bed.
4.  What about this title compelled you to audition as narrator? 
I LOVE Jane Austen.  I love her female characters with their fire and intelligence.  To have such strong minds, but be so restricted with their options in life.  For marriage to be your only way forward when you have so much to offer the world.  It makes me feel claustrophobic just thinking about it. From a working perspective, this is also my first collection of short stories.  Short stories are a real art form. You have to draw the reader (or listener!) into the tale very quickly and make them care about the characters without the luxury of a whole novel in which to do it.  I really enjoyed each one being a separate little project, so I had a sense of closure and achievement after each one.
5.  What types of things are harmful to your voice? 
I wouldn't say I'm that careful with it to be honest.  I've had vocal training drummed into me for decades, so I think it really comes naturally to me to support my voice well and to speak from the diaphragm.  I've been trained to project to the back of a theatre, without a microphone, night after night after night. Some narrators get tired voices, but you can't shut me up!
6.  Who are your “accent inspirations”? 
Absolutely everybody!  I love accents. I have a broad Lancashire accent myself.  I hope you can't tell from 'Rational Creatures'! If I hear a good accent, someone on TV or in real life, I'll be there mouthing the words, fascinated by how they're forming the sounds.  Penelope Keith is a good one for very upper class ladies. Pam Ayres for West Country. Some elude me, though. My Cockney wanders all over the place, though you get a snippet of it in 'Rational Creatures'.  My boyfriend has a London accent and sometimes he helps me with pronunciations. I'll be texting him asking things like 'Transport or traaaahnsport??'.
7.  How did you decide how each character should sound in this title?  
Well, a lot of the characters are very well-known anyway, which helps.  I didn't feel as though I was creating them from scratch. Most of them just jump off the page too.  There are simple things like class to consider. Also character traits, like arrogance, pomposity, shyness or humility, which affect voice and delivery.  I love a character that you can really embody. When it's so obvious how they should sound that you don't even really have to think about it. 
8.  How does audiobook narration differ from other types of voiceover work you've done? 
It takes a REALLY long time, especially if you're fully producing the work yourself.  It takes around six hours to produce one hour of finished audio, sometimes longer. That doesn't even include all the prep work you have to do first, reading the work in full, researching characters and pronunciations, deciding on voices.  Editing takes forever, combing through the recording, editing out little sounds like mouth clicks or any particular noisy breaths. I also regularly do radio jingles, which is a good comparison, because it takes no time at all! Audiobooks are not for the faint-hearted.
9.  If you could narrate one book from your youth what would it be and why?  
Apart from absolutely everything by Jane Austen?  I have so many author heroes! However, if it's from my youth, then I'm going to plump for Roald Dahl's 'The Witches'.  His stories are so evocative and he doesn't shy away from darker themes. I was born in Pendle Witch country, so this one struck a particular chord with me.
10.  Any funny anecdotes from inside the recording studio? 
We've all done silly things.  Giving an Oscar-worthy performance, then realizing you haven't pressed record.  Stuffing a cushion up your jumper to stop tummy rumbles reaching the mic. Gradually getting more naked as you stifle in the booth in summer.  We've all done it.


Feminism in the Hearts of Austen’s Most Beloved Females?By Christina Boyd, editor, “Quill Collective” anthology series 
Jane Austen’s novels evoke romantic imaginings of gallant gentlemen and gently-bred ladies. Achieving social, economic, and political equality amongst the sexes isn’t a concept one would imagine in a novel from the 1800’s, especially if the novelist was Jane Austen, whose characters are in pursuit of good matches and whose novels all end in weddings. How could a woman who was poor, never married, and lived with her mother and sister in a cottage on her brother’s estate authentically write about equality? Yet through her veiled wit, honest social commentary, and cleverly constructed prose in a style ahead of her day, Austen’s heroines manage to thwart strict mores—and even the debauchery of Regency England—to reach their fairytale endings. Have you never wondered about her other colorful characters like Mary Crawford, Penelope Clay, Charlotte Lucas, et al.—and how they came to be? In Persuasion, Mrs. Croft says, “But I hate to hear you talking so, like a fine gentleman, and as if women were all fine ladies, instead of rational creatures. We none of us expect to be in smooth water all our days.” Those words have always struck me as terribly modern and I have wondered what Mrs. Croft might have been thinking of when she said those very words to her brother Captain Frederick Wentworth. It is not a reach that several of Jane Austen’s characters might have had feminist sensibilities, even if they yielded to the expectations of their sphere. Further, I like to speculate that Austen was cleverly revealing her own feminist discourse using “her fine brush” on her “little bit (two inches wide) of ivory.” When choosing authors for the soon-to-be released anthology Rational Creatures, I wanted strong women, not just strong writers. Like several of my Rational Creatures authors, Brooke West believes, “There is no singular way to be a feminist. Feminism, to me, is about the ability to choose. To choose whether to have children, to marry, to pursue a career, to wear a suit and tie or a frilly pink dress. It’s that choice that is so often taken from women and rigid expectations put in choice’s place. A woman deciding for herself is the simplest—and best—expression of feminism, to my mind.” West goes on to say about Mansfield Park’s quiet heroine, “Many readers find Fanny weak and boring. I’ll admit—I did, too. At first. But after another read, I found Fanny’s feminist spirit. She won my respect by showing a quiet and enviable strength. She was the victim of everyone’s expectations, but she stood firm in her principles, rejecting Henry’s offer because she knew it would not bring her happiness. Though her ultimate decision to marry Edmund seems predictable—exactly what one would expect of a young woman of her time and exactly the opposite of what one might expect from a tale with a feminist twist—I saw bravery behind her choice. Her choice to marry up when she’d always been told she’s lesser. Her choice to marry at all when it’s perceived she missed her only chance to avoid spinsterhood. Her choice to accept a man who overlooked her.” “The reserved inner strength of Fanny appears to be in counterpoint to that other memorable female character of Mansfield Park, Mary Crawford,” says author Jenetta James. “Where Miss Price is muted and seemingly beholden to others, Miss Crawford is outspoken, charismatic, and independent. Mary Crawford gets all the best lines, but there is more to her character than moral bravado. She is after all a discerning and mostly kindly critic who speaks plainly and lives honestly. The candor which Edmund reviles has about it the stamp of the modern, and in depicting it, Austen was considerably ahead of her time.” Moreover, it seems as unlikely that Austen’s least beloved heroine would forward or embrace any cause besides her own. “With societal conventions thrown aside to make way for a seemingly pampered heroine who, although innately good, appears oblivious to the problems of the world, we have Miss Woodhouse,” says author Anngela Schroeder. “Emma, willing to leg-shackle every other single creature in Highbury to another, refuses to do so for herself. ‘And I am not only, not going to be married, at present, but have very little intention of ever marrying at all.’ And why should she? She has all that is needed by a woman, or a man for that matter. She has fortune, connections, the adoration of her father, and management of his house where she knows that most women are ‘half as much mistress of their husband’s house as [she is] of Hartfield.’” In modern day translation: I don’t need a man or marriage to be happy. Author Lona Manning says, “Penelope Clay, the artful, designing young widow in Persuasion, tries to wheedle her way into Sir Walter Elliot’s heart. She has the ‘art of pleasing,’ and hopes he’ll overlook her low birth, her crooked tooth, and even her freckles. A ‘good’ woman was supposed to sit back and accept the extremely limited choices which restricted her life. Mrs. Clay, left with two children, was supposed to live under her father’s roof, and hope for some other offer of marriage to come along. But Penelope Clay does not sit back and accept this dismal fate. She is active; she smiles, talks, and charms her way into the household of the vain baronet. And why not! The opportunity is there, and it’s the rational thing to do!” In Pride and Prejudice, “Charlotte Collins nΓ©e Lucas seems the Queen of Compromise,” says author Joana Starnes, “because what can her marriage to a self-absorbed fool be but a compromise? She seems the archetypal Regency female who sees marriage as her only object in life, however unappealing the partner and however small the chances of happiness. “Yet should she be censured for her choices or applauded for having the courage to grab any weapon at her disposal and fight the system from within? What can she do with herself if she refuses Mr. Collins other than become a figure of pity to her friends and family, someone taken for granted and expected to keep house or help raise other people’s children for the ‘privilege’ of being tolerated in their home? “ ‘Not Charlotte!’ says Starnes. “She seizes the one chance that comes her way. And if that means indulging Lady Catherine with smiles and nods and playing the part of the model wife while she adroitly coaxes her weak-minded husband into doing her bidding, then so be it! Her envisaged reward is financial security and the privileges that come with being the actual head of her household. And there is always the promise of becoming the mistress of Longbourn someday…” Although the idea of “feminism” was coined long after Austen’s time, the contributing authors to Rational Creatures wrote backstories or parallel tales off-stage of canon, remaining true to the ladies we recognize in Austen’s great works—whilst stirring feminism in the hearts of some of her beloved characters. Surely that is why so many adore Elizabeth Bennet best: her moral strength to reject not one but two advantageous proposals, choosing love and respect over wealth and social status. West proclaims the project’s intent best: “I wanted to show Fanny as a part of the beginning [of feminism]—as a young woman who sticks to her morals and does not let anyone else tell her what her happily-ever-after must be. A woman who would think for and choose for herself.” Isn’t that one of the reasons millions have loved Austen’s novels and her rational creatures these last two-hundred years? I daresay, it’s those little bits that will endure another two hundred. “Make women rational creatures, and free citizens, and they will become good wives; —that is, if men do not neglect the duties of husbands and fathers.” —Mary Wollstonecraft 

Giveaway: $20 Amazon Gift Card 


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1 comment:

Christina Boyd said...

Thank you for sharing our feature piece about Rational Creatures and the interview with British voice actress Victoria Riley. Hope you enjoy the audiobook.